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All rights reserved.\u003cbr\u003e\u003cbr\u003eExcerpt from the Introduction by Martin AmisThe Adventures of Augie March is the Great American Novel. Search no further. All the trails went cold forty-two years ago. The quest did what quests very rarely do: it ended.   But what was that quest, anyway - itself so essentially American? No literary masterpiece or federal epic is mentioned in the Constitution, as one of the privileges and treats actually guaranteed to the populace, along with things like liberty and life and the right to bear computerized machineguns. Still, it is easy enough to imagine how such an aspiration might have developed. As its culture was evolving, and as cultural self-consciousness dawned, America found itself to be a youthful, vast and various land, peopled by non-Americans. So how about this place? Was it a continental holding-camp of Greeks, Jews, Brits, Italians, Scandinavians and Lithuanians, together with the remaining Amerindians from ice-age Mongolia? Or was it a nation, with an identity-with a soul? Who could begin to give the answer? Among such diversity, who could crystallize the American experience?   Like most quests, the quest for the Great American Novel seemed destined to be endless. You won't find that mythical beast, that holy grail, that earthly Eden-though you have to keep looking. As with the pursuit of happiness, the pursuit was the thing; you were never going to catch up. It was very American to insist on having a Great American Novel, thus rounding off all the other benefits Americans enjoy. Nobody has ever worried about the Great French Novel or the Great Russian Novel (though it is entirely intelligible that there should be some cautious talk about the Great Australian Novel). Trying to find the Great American novel, rolling up your sleeves and trying to write it: this was American. And so it would go on, for ever, just as literature never progresses or improves but simply evolves and provides the model. The Great American Novel was a chimera; this mythical beast was a pig with wings. Miraculously, however, and uncovenantedly, Saul Bellow brought the animal home. Bellow sorted it. He dedicated the book to his father and published it in 1953 and then settled down to write Seize the Day.   Literary criticism, as normally practised, will tend to get in the way of a novel like Augie March. Shaped (loosely) as an odyssey, and well stocked with (unsystematic) erudition — with invocations and incantations — the book is very vulnerable to the kind of glossarial jigsaw-solver who must find form: pattern, decor, lamination, colour-scheme. But that isn't how the novel works on you. Books are partly about life, and partly about other books. Some books are largely about other books, and spawn yet other books. Augie March is all about life: it brings you up against the dead-end of life. Bellow's third novel, following the somewhat straitened performances of Dangling Man and The Victim, is above all free — without inhibition. An epic about the so-called ordinary, it is a marvel of remorseless spontaneity. As a critic, therefore, you feel no urge to interpose yourself. Your job is to work your way round to the bits you want to quote. You are a guide in a gallery where the signs say Silence Please; you are shepherding your group from spectacle to spectacle - awed, humbled, and trying, so far as possible, to keep your mouth shut.*A brief outline. The Adventures of Augie March is about the formation of an identity, of a soul — that of a parentless and penniless boy growing up in pre- and post-Depression Chicago.Augie's mother is 'simple-minded' and so is his younger brother Georgie, who 'was born an idiot'. Simon, his older brother, is hard-headed; and Simon is all he's got. 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The Adventures of Augie March is the product of an elegant and skeptical mind on which nothing is lost, and of an appetite for the look and feel of things that is both enormous and passionate. 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Search no further.” –Martin Amis\u003cbr\u003e\u003cbr\u003e\u003cb\u003eA Penguin Classic\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e As soon as it first appeared in 1953, this novel by the great Saul Bellow was hailed as an American classic. Augie, the exuberant narrator-hero is a poor Chicago boy growing up during the Great Deptression. A “born recruit,” Augie makes himself available for a series of occupations, then proudly rejects each one as unworthy. His own oddity is reflected in the companions he encounters—plungers, schemers, risk-takers, and “hole-and corner” operators like the would-be tycoon Einhorn or the would-be siren Thea, who travels with an eagle trained to hunt small creatures. 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