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Walking Stumbling Limping FallingA Conversation

Format: Paperback

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In a 1934 lecture, Marcel Mauss said: "A kind of revelation came to me in hospital. I was ill in New York. I wondered where previously I had seen girls walking as my nurses walked. I had the time to think about it. At last I realised that it was at the cinema. Returning to France, I noticed how common this gait was, especially in Paris; the girls were French and they too were walking in this way. In fact, American walking fashions had begun to arrive over here, thanks to the cinema."

Here are the roots of contemporary views of daily-life movement (including walking). We notice people who don't walk normally. We notice ourselves when we don't walk normally.

There is, it seems, an intense, invisible pressure to walk normally. Straight is the gait. Call it ambulonormativity.

For about 9 months, two walking-authors/artists - Alyson Hallett and Phil Smith - found themselves wrestling with not being able to walk normally. They wrote to one another about it and, amongst other things, reflected on:
prostheses waddling Butoh built-up shoes walking in pain bad legs vertigo falling (and fallen) places hubris bad walks scores for falling down walking carefully disappointment.

This is their conversation. From it, there emerges an 'Alphabet of Falling', a sustained reflection on the loss of normal capabilities, anecdotes and autobiographical stories, and the beginnings of a larger discussion about srumbling and falling: the pedestrian equivalent of blowing an uncertain trumpet.

As the book concludes: "When you next fall, stay down for a while, see what comes. Then, when you get to your feet again, rather than relying on your body's natural approximations of space, choose your steps, not anxiously but in an excited kind of wariness; and, with each pace, a little more undo the 'grounds' that tripped you up."

Format: Paperback
Published: 2017
Pages: 101
Publisher: Triarchy Press
ISBN: 9781911193067

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Our conditions mean the following:

  • New - a brand new book
  • Almost New - appears new but is actually secondhand.
  • Very Good - only minor imperfections such as minor scuffs to edge or cover or a price written in pencil or shop sticker.
  • Standard Secondhand - Clearly been read before, but not too bad. We do not recommend these for gifting. Spines usually creased. Could also include creases or folds to cover, some writing such as in the cover or elsewhere, underlining or highlighting, but might not do. Possibly some stains or marks. Similar in general to books in any secondhand shop or charity shop.
  • Poor Condition - Usually this will have a specific problem such as writing inside, water damage, missing dust jacket, heavy staining, large creases or cuts. These are readable copies but not nice ones. On other websites this condition is called 'Acceptable' or 'Fair' , but we want to be more honest.
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