Product Description A sequence of bizarre events create an unstable nexus that enables the death-bitch, Razorjack, and her twisted handmaidens the opportunity to finally break through into our world the most important dimension of them all The Core Dimension. Three college kids inadvertently create the opening from the alternate universe of The Twist Dimension and become a focus for the evil that is Razorjack. Maverick cops, Frame and Ross, are assigned a disturbingly horrific multiple-murder case which draws them into what is potentially the final battle between good and evil. For the first time, Com.x collects John Higgins original self- published story and Com.x issues #1 and #2 into one, complete graphic novel. Also includes new story and art by John created exclusively for this book. Review "It's always a pleasure to see John's work, and Razorjack is one of his best-kept secrets. If there's any justice, this new collection should find the audience the story has always deserved." --Garth Ennis - Writer of Preacher, Punisher, The Boys

"Razorjack delivers something rare: A solid story and artistic brilliance by John Higgins. It must be nice to be getting better with age." --Jimmy Palmiotti: Writer of The Hills Have eyes: The Beginning, Jonah Hex, Vampire Hunter D: american Wasteland

...I've always thought Razorjack was a killer concept. A cosmic horror story of huge-scope, breath-taking visuals and insane ambition: Unique, wonderful, quintessential John Higgins." --Mike Carey: Writer of Lucifer, X-Men, Hellblazer, Crossing Midnight

"Razorjack delivers something rare: A solid story and artistic brilliance by John Higgins. It must be nice to be getting better with age." --Jimmy Palmiotti: Writer of The Hills Have eyes: The Beginning, Jonah Hex, Vampire Hunter D: american Wasteland

...I've always thought Razorjack was a killer concept. A cosmic horror story of huge-scope, breath-taking visuals and insane ambition: Unique, wonderful, quintessential John Higgins." --Mike Carey: Writer of Lucifer, X-Men, Hellblazer, Crossing Midnight...I've always thought Razorjack was a killer concept. A cosmic horror story of huge-scope, breath-taking visuals and insane ambition: Unique, wonderful, quintessential John Higgins." --Mike Carey: Writer of Lucifer, X-Men, Hellblazer, Crossing Midnight"Razorjack delivers something rare: A solid story and artistic brilliance by John Higgins. It must be nice to be getting better with age." --Jimmy Palmiotti: Writer of The Hills Have eyes: The Beginning, Jonah Hex, Vampire Hunter D: american Wasteland About the Author John Higgins is an English comic book artist and writer. A lot of his work has been done for 2000 AD, and he has frequently worked with writer Alan Moore, most notably as colourist for Watchmen. John Higgins was born in Walton, Liverpool. After leaving school when he was 15, he joined the army and, on leaving, spent some time in a commune in Wiltshire. He returned to Liverpool and, in 1971, resumed his studies at Wallasey College of Art where, in 1974, he qualified in technical illustration, allowing him to get a job as a medical illustrator at the Royal Marsden. After getting his first comic published in Brainstorm in 1975, he drew the cover for 2000 AD #43 in 1977 and decided to go freelance in 1978, with an eye on becoming a comic artist. In 1981 he started getting regular work at 2000 AD, one of his early projects being the art for a Tharg's Future Shocks by Alan Moore, as well as doing covers for Marvel UK. After this he worked steadily at 2000 AD and joined the British Invasion in the mid-eighties, notably doing the colouring on Moore's Watchmen and Killing Joke. This led to more work in the American market, although he has kept working on British titles too (especially with Judge Dredd over 20 years). Most recently he has provided the art for Greysuit with Pat Mills, as well as working with Justin Gray and Jimmy Pal