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Return of the GodsNeoclassical Sculpture in Britain
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Exhibition of works produced by British artists or for British patrons between about 1760 to 1860. Wealthy and powerful patrons and collectors in late eighteenth and early nineteenth-century Britain peopled their houses with monumental marble figures made to astonish and captivate. Scuplted primarily for their appeal as virtuoso objects in their own right, they were also made for contemplation and display. They were inspired by the classical sculpture of ancient Greece and Rome, they aimed to rival the antique prototypes. Iconic works, such as Canova's Three Graces , a multitude of portrait busts and exquisite reliefs are all discussed here. In addition to works by Canova, sculptures by Thorvaldsen, Nollekens, Flaxman and other leading artists are described and illustrated, while a short introduction looks at the patterns of collecting and patronage in Rome and Britain, and the different ways in which these works of art were viewed and displayed.
Genre: Art, Collections, Catalogs, Exhibitions
Format: Paperback
Published: 2008
Pages: 40
Publisher: Tate Publishing
ISBN: 9781854377654
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Condition Descriptions
Our conditions mean the following:
- New - a brand new book
- Almost New - appears new but is actually secondhand.
- Very Good - only minor imperfections such as minor scuffs to edge or cover or a price written in pencil or shop sticker.
- Standard Secondhand - Clearly been read before, but not too bad. We do not recommend these for gifting. Spines usually creased. Could also include creases or folds to cover, some writing such as in the cover or elsewhere, underlining or highlighting, but might not do. Possibly some stains or marks. Similar in general to books in any secondhand shop or charity shop.
- Poor Condition - Usually this will have a specific problem such as writing inside, water damage, missing dust jacket, heavy staining, large creases or cuts. These are readable copies but not nice ones. On other websites this condition is called 'Acceptable' or 'Fair' , but we want to be more honest.
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