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Why I’m No Longer Talking to White People About Race

Format: Paperback

Condition: Very Good — £7.23
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  • Poor Condition - Usually this will have a specific problem such as writing inside, water damage, missing dust jacket, heavy staining, large creases or cuts. These are readable copies but not nice ones. On other websites this condition is called 'Acceptable' or 'Fair' , but we want to be more honest.
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NEW YORK TIMES BESTSELLER

"This is a book that was begging to be written. This is the kind of book that demands a future where we'll no longer need such a book. Essential." --Marlon James

“The most important book for me this year.” --Emma Watson


Selected by Emma Watson as the Our Shared Shelf Book Club Pick for January/February 2018
Sunday Times Bestseller
Winner of the British Book Awards Nonfiction Narrative Book of the Year

Winner of the Jhalak Prize
Foyles Nonfiction Book of the Year
Blackwell's Nonfiction Book of the Year

Named One of the Best Books of 2017 by:
NPR
The Guardian
The Observer
The Brooklyn Rail
Cultured Vultures

Award-winning journalist Reni Eddo-Lodge was frustrated with the way that discussions of race and racism are so often led by those blind to it, by those willfully ignorant of its legacy. Her response, Why I'm No Longer Talking to White People About Race, has transformed the conversation both in Britain and around the world. Examining everything from eradicated black history to the political purpose of white dominance, from whitewashed feminism to the inextricable link between class and race, Eddo-Lodge offers a timely and essential new framework for how to see, acknowledge, and counter racism. Including a new afterword by the author, this is a searing, illuminating, absolutely necessary exploration of what it is to be a person of color in Britain today, and an essential handbook for anyone looking to understand how structural racism works.

Genre: Political Science, Civil Rights
Format: Paperback
Published: 2019
Pages: 288
Publisher: Bloomsbury USA
ISBN: 9781635572957

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Our conditions mean the following:

  • New - a brand new book
  • Almost New - appears new but is actually secondhand.
  • Very Good - only minor imperfections such as minor scuffs to edge or cover or a price written in pencil or shop sticker.
  • Standard Secondhand - Clearly been read before, but not too bad. We do not recommend these for gifting. Spines usually creased. Could also include creases or folds to cover, some writing such as in the cover or elsewhere, underlining or highlighting, but might not do. Possibly some stains or marks. Similar in general to books in any secondhand shop or charity shop.
  • Poor Condition - Usually this will have a specific problem such as writing inside, water damage, missing dust jacket, heavy staining, large creases or cuts. These are readable copies but not nice ones. On other websites this condition is called 'Acceptable' or 'Fair' , but we want to be more honest.
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